#older than most of the objects i've seen with my eyes in my life probably. and it has Pencil Written Annotations in such a lovely little
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my friend gave me both fishing lure earrings and bandaids for my birthday and you'll never guess what i needed after cutting my finger on the back of the sharp as fuck fish hook section of the earring
#if she is psychic and foresaw me needing the bandaids i would've appreciated the warning but you know what. it's really funny regardless đ«¶#the bandaids have shakespearean insults on them bc she knows i like shakespeare she didn't just. give me a handful of bandaids as a gift.#SHE ALSO GOT ME A COPY OF SHAKESPEARE'S LOVE'S LABOUR'S LOST FROM FUCKING 1895!!!!!!!!!!!!!!!!!!! OLDASS BOOK BEAUTIFUL BOOK#the single coolest object i now proudly own#older than most of the objects i've seen with my eyes in my life probably. and it has Pencil Written Annotations in such a lovely little#victorian cursive script and illustrations in a style i've only ever seen on the fucking internet archive or uploaded scanned fashion plates#like holy FUCK it's SO COOL and i will nerd out about it for the rest of my natural days i assume <3#anyway. still need to find the bandaids in my bag as i'm currently just sitting in the dark holding a paper towel over my finger#on the bright side i finished the hat that will either be hers or was the trial run for knitting her hat (it depends how much i get done on#the other gift hat i decided i was making the day before i left on my family roadtrip)#oh my fucking god the family drama on this trip has blown other trips' nonsense out of the water and it was. the first day. of the trip.#oh sick as fuck fish hook earrings amd old ass book and bag of knitting supplies we're really in it now.....#a post#anyway who else is excited to drink their way through the rest of this week 𫶠(she says on sunday)
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Kuina is probably my favorite female character of One Piece, but that's because she represents just perfectly the experience of being a little girl that's into martial artsâ and some other stuff.
Kuina would never be enough because she could not be man enough to inherit the dojo, according to her dad, but she was also not lady-like enough to be considered a "woman". To the eyes of other people (and what they make her believe), Kuina's dream marked her as an eternal outcast, someone who would never reach one shore or the other.
To Kuina, her body was a cage. Even if she had everything within her, her body would make her naturally weaker. Similar to being condemned to fight with a bad sword, a blade that would break. Being a child was safe. Little boys and little girls are equals. Growing up meant losing time, losing ground. Every year must have to be a burden to her, with the constant reminder that her time as the best was running out.
The fear and hatred of puberty, the horror of the way your body changes without your permission, the experience of girls who feel uncomfortable in her bodies because they don't want breasts, they don't want to be weaker once a month because their bodies are bleeding and their hormones are ruining everythingâ I've seen it all.
Worst even, the way people would stare at those bodies and lust for them. The trauma of being desirable. Now they think that they're entitled to your body, that they can disrespect you. You're a toy, an object, you're a woman so you're weak and fragile, you're a woman so give up, you're not in control of the situation anymore.
When Koushiro said that a woman could never be the best swordman in the world, there are soooo many things in between the lines. Why not?
As if it wasn't enough, the boys accused Kuina of being that much better than them because her dad was the leader of the dojo, so he must be teaching her in secret. Her merits were never hers, just the results of another man. "Ah, that girl can't be that good, she must be getting help, receiving special treatment, getting extra training, etc". It's infuriating and Kuina shows it. They disrespect her like it's nothing, like it's natural. Her own dad allows it and participates in that.
Before Zoro, Kuina had no one to tell her that her skills were only hers. Her body, her heritage, not of that mattered. She was the rightful winner of their matches, at least so far.
When Zoro cries out of frustration and Kuina asks him if he even knows why she should be the one crying for it? Life changing moment. Zoro got the praise and loyalty of the dojo boys, the admiration of the older people training there, he was even the special boy of her dadâ Koushiro let Zoro clown around with multiple swords and watch Kuina beat his ass, but it'd never matter.
Zoro wouldn't be betrayed by his own body, his own family, his own dojo and his own hometown. He was an outsider accepted by the community, their pride even. He came out of nowhere and they gave him everything she wanted and both of them deserved. It's just that it wasn't a fair fight: Zoro was a boy and Kuina was a girl. She'd always have to fight harder even if she was better.
For me, I really think that only Zoro could carry Wado Ichimonji with him. He was the only one who respected Kuina as a person and a rival, not seeing what others saw in her. Zoro honored all their fights, never tried to discredit her, because even when Koushiro tried to give Zoro an excuse "you forgot that she's a little older than you", Zoro brushed it away. No, he could beat grown-ups. That was not it.
Kuina was better than him. Period.
The fact that she died in such an accident and the way Koushiro said "humans are fragile things"... It is just so amazing. What Kuina feared the most: all her potential, wasted. When she was finally ready to go after what she wanted, she fell down the stairs and died. Simple. The promise Zoro and Kuina made was wasted too. Now Zoro had all the time in the world and Kuina had no time at all. She was always against fate and Zoro rode with it.
I still think about how Zoro plans to make it all worth something: if she can rightfully fight for the title, then he won't let anyone have it but him. If Kuina was able to beat 2001 times the boy who would become the best swordman in the world, then no one could insult him ever again. And if he won that title with her sword, then he'd elevate both their names. If he could fulfill his promise to her, then that night would hold its meaning.
I love Kuina soooo freaking much and I love how much Zoro values her, even to this day.
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@wellnoe I loved our discussion over Scott, Warren, and Logan's views of morality, but it was getting a little too complex for a reply thread so here's me trying to express my thoughts a little better:
Yes, I think Warren buys into the idea of a good man. No, I don't think he's entirely aware of it. He tangles with his morality a *lot*, especially when it comes to the Archangel and Angel of Death personas, so I don't think he views himself as a good person most of the time, but I think being raised in the household of a rich business estate means he inwardly holds onto a lot of that rigidity. His view of morality may not be objectively correct in terms of those standards, since we know his father isn't exactly the most moral person himself, but he does have standards that he subconsciously feels a Good Man must uphold
So, when thinking of Scott and this sort of moral rigidity, he's viewing it as Scott-the-person engaging directly with those inward standards. It's a very... capitalist viewpoint, "every man for himself" sort of deal, where Scott is almost "winning" morality by the technical guidelines - and that's not exactly something you want to win.
2. Logan, on the other hand, has lived a very long life, has seen a lot of complex morality, and has rarely been viewed as a particular moral creature himself (at least in his own eyes). I admit that I don't know as much about Logan as I do Warren, so what I'm saying here could very well contradict the way he's written in some of the comics, but the way I see it: this is a 140-year-old man who has tried to die and failed. He did not grow up with Warren's rich-boy-rigid standards, and he's seen enough "good men" do bad things and enough "bad men" do good things in his life that he's ready to throw the whole damn rulebook out. Morality isn't a set of guidelines to him like it is to Warren. It's not a list of rules to follow.
So, when we look at the same perspective of Scott and his moral rigidity... the issue isn't really with Scott. The issue is that Scott-the-symbol has been presented as a Good Man for so many things, the leader of the X-Men or whatever else, and being placed in that box is more confining than liberating (both for him and for all the rest of the X-Men associated with him)
Warren sees Scott as "winning" morality and needs to see him continue to win (individual perspective, a younger man raised in a "up by the bootstraps" capitalist household), Logan sees Scott as a symbol of morality and so that symbol needs to persist in a way that benefits him (wider perspective, a much older man looking at how standards of morality have constricted over time)
Could be way off here, there's probably something in the comics somewhere that completely contradicts what I'm saying, but I guess this is sort of my interpretation on that discussion of morality. And apologies if I've misinterpreted anything about your original post, that wasn't my intention, I'm just tired lol
(also it's worth noting that I don't think either of them are emotionally in-tune enough to be aware of any of this, they just see Scott as "nobly condescending" as you said in the original post. I'm more viewing them as literary tools and trying to dig into why they might hold that viewpoint, and how two very different backgrounds might end up converging to that same point)
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Though the window display had been filled with glittering trinkets, it was the door of the shop that made me pause. The door was made of a solid wood. It appeared much older than the doors I had passed, including the shop next door. My eyes darted to the handle. It seemed to glow, beckoning me inside.
There was a tinkling sound from the bell above the door, announcing my arrival to those who worked at the store. I've worked retail before, I get it. I begin to make my way around the small, dark shop.
And there, on a small, black pillow made of crushed velvet laid the most elegant ring I had ever seen. Gently, I reached my hand towards it, wishing to inspect it closer. I couldn't tell it from the street. This wasn't a thrift shop at all: it was an antique shop!
"Ehem."
I lowered my hand and turned around. "Oh, hello!"
"Hello there," the worker said, almost purring. "Has one of my wares piqued your interest?" His long fingers met in a slight steeple. His red eyes glittered in the lack of light.
Red eyes? Oh. I interrupted his smoke sesh. Whoops.
"Your entire store has piqued my interest! But this ring in particular..." I begin to reach my hand out again but the worker clears his throat again, pulling my attention back.
"I must warn you," he purred again, "that everything in this place...comes with a price." I had never seen someone waggle their eye brows in real life until that very moment.
'Everything comes with a price'? No shit!
I nodded my head and gave him a look that could only say 'are you shitting me?' "Uhh...yeah. That's how one shops." I held up the bags I had carried in with me.
His face lost its 'customer service' look and changed to one I would only see if he and I were hanging out, I'm sure. "I should probably let you know that the price may be more than what you were expecting."
"No shit. Taxes. And I realized that this was an antique shop already. The good things come with a high price tag." I pointed at the ring. "How much?" I ask.
He stared at me in disbelief. "Miss, I'm trying to tell you that it is not the thing you think it is. See, I'm no mere human! I am a cross-roads demon! I don't care what these things can do to you! They are cursed objects! Owning one comes with a price...other than money!"
I rolled my eyes and sighed. "Buddy, I know all about capitalism and consumerism. How much is that fucking ring on the pillow?"
He held my gaze for a long time before looking over my shoulder and glancing at the ring. "Oh, that one? It's the only thing not cursed in this place. Take it. It's yours."
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Promise Me You Won't Fall In Love
Summary: You and Tsukishima have been friends since you were kids, and you made a promise not to fall in love with each other. But of course, everything's fine and great until someone (both of you) fucked up and caught feelings.
TW: swearing, mutual pining, unrequited love (it is requited later), minor harassment (not a lot), and there is some derogatory talk from an extra that doesn't even have a name (Kei puts him in his place, I promise).
A/N: So this wasn't requested, but I've been thinking about this one a lot recently and I wanted to do something with it, hence this.
Note: Anything in italics is a memory! Well, not all of it, but the longer sections. Most of the time the one or two word-er things are simply emphasized, that kind of thing.
"Tsukishima, your girlfriend's here to see you!" Sugawara told the middle blocker, and he turned to see you leaning against the wall near Yachi and Kiyoko, laughing at something they were saying to you.
"She's not my girlfriend," Kei muttered, walking over.
"Kei! I knew you'd be here," you said, digging through your bag. "One of the girls in my class wanted me to give this to you."
You handed him a bright pink envelope with black sparkly writing on the front, his name scrawled in almost perfect handwriting.
"Another love letter?" he asked, taking it.
"Probably, I've stopped asking. It makes them think that we're together," you told him, crossing your arms.
Kei sighed, opening the letter with little fanfare.
He scanned through it quickly, rolling his eyes.
One thing he had noticed was that the letters he had been getting were really sucky poetry and fancy words. They knew nothing about him worthwhile and he was pretty sure they just wanted to check off the 'I have a boyfriend' box on their high school checklists.
Kei made a noise of disgust and walked over to the nearest trash can, dumping the letter in.
"I'm assuming that's another no?" you asked, smirking at him, already knowing the answer.
He nodded, ignoring the smirk on your face.
You, Tadashi, and Kei had all been friends since middle school. Kei had known you longer, since you lived in the same neighborhood, but you had kind of adopted Tadashi when you had heard about him being bullied, hence why Kei and you were actual friends now. Tadashi was the link between the two of you that had stuck. Being forced to make conversation as some of the only kids in the neighborhood had simply made you acquaintances.
"If you knew I was going to say no then why would you give me the letter?" Kei asked.
"Because I'm hoping you'll broaden your horizons," you offered, waving your hand dismissively. "Besides, it sends the wrong message if I just throw them away without giving them to you. Not to mention, a lot of the girls don't like me to begin with because I'm one of the few people you can tolerate for more than a few minutes at the time. You've never had a girlfriend, Kei, even if they aren't girlfriend material, couldn't you at least make a few more friends?"
"I can barely deal with you and Tadashi, I don't need anymore friends," Kei told you, and you laughed.
"Keep telling yourself that Kei. I'll see you guys later, alright?"
Tadashi and Kei nodded, watching you leave before they rejoined practice.
"Are you sure she isn't your girlfriend, Tsukishima?" Sugawara asked, watching the blocker with mild interest.
Despite being second years now, their former upperclassmen were showing up more as tournament season drew closer. Though Kei also suspected that they were being nostalgic and that they missed their underclassmen's chaos.
"I'm sure," he assured the former setter. "Why?"
"Nothing, just a hunch," he murmured.
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"Guys, do you ever wonder how many people see you on the side of the street and think, 'Wow, they are the most beautiful person I have ever seen'?" you asked, as you hung upside down on the monkey bars.
"I think the blood is going to your head, (Y/F/N)," Tadashi teased.
"No, I'm serious," you said, turning to look at him. "I was thinking, earlier, about how Kei keeps getting all these love letters, and it made me wonder how many people see me as attractive, but never say anything. I don't think it's very many," you admitted, "but I wonder if they are out there."
Tadashi sighed, putting his hands on his forehead in an exasperated manner.
"(Y/F/N)," he said, sounding almost breathless, "just because Kei is getting letters doesn't mean that people don't find you attractive."
"I'm not saying people don't find me attractive," you said, swinging yourself up onto the bars again. "I know someone in the world must have standards that low, but just because they find me attractive doesn't mean they would date me."
"Why are we talking about this?" Kei asked, annoyance riddling his tone.
"Technically Tadashi and I were talking about it," you told him. "You were simply listening to the conversation."
"That doesn't tell me why this is the topic of conversation," he countered.
"I'm just saying! Kei keeps getting all these letters, and it makes me wonder if these girls actually think that they're in love with him. Attraction is really just a release of chemicals in the brain from when we were simply a species trying to survive. But that's not love," you said.
"So what's love to you?" Tadashi asked, curious.
"I think real, true love is when you see something that reminds you of them and you smile, even without realizing it. I think it's when it hurts to see them hurt, but you stay by them instead of seeking revenge, knowing they need you in the moment. I think it's the little inside jokes that mean nothing to people around you, but it's everything to you. I think it's knowing that there are plenty of people that are better than you out there, but wanting to stick around to be better for that person, to prove that you're worth it.
"I think it's seeing all the broken pieces, and loving them all anyway. It's remembering the little things. It's being able to sit in complete silence and know what the other is saying just because of the way their eyes crinkle. It's knowing that they have the power to break off new pieces, and trusting that they won't. It's when . . . instead of breaking pieces of yourself so that they can handle you, you stay whole. If they choke, you know it's not love, not really.
"It's knowing that you can stand on your own two feet, but leaning on them anyway. It's knowing that you are your own person, but wanting to share it with someone anyway. It's feeling free and wild, but content to stay still, because you trust them. For me, I feel like love is knowing that someone would read with me on a window seat, watching it rain, but they would also drive just a little too fast down older roads with the windows down so we can pretend, just for a moment, that we're in a shitty music video."
You smiled as you turned yourself upside down on the monkey bars again.
"I think it's kind of like what we have, but more romantic."
"You've been reading too much fanfiction," Kei muttered.
"Maybe," you admitted. "But maybe that's because I want to be able to spew romantic bullshit like that when I finally find a guy that likes me for me. I realize that, realistically, I'll probably never feel like that. Or at least, I won't feel it enough to put it into words like that. Fantasy never lives up to reality after all. But it's a nice thought."
"So, you don't think you'll ever find something like that?" Tadashi asked.
"I think that I'll either end up married to a man that was good enough, or on my own with no social life except you and Kei. I'll rely on work to keep me entertained."
Kei snorted.
"What's so funny you overly salted French fry?" you asked, raising an eyebrow.
"If I ever think you're marrying a man that's just 'good enough', I'll say 'I object!' at the wedding," he told you.
"Oh yeah?" you asked, smiling. "And why's that?"
"Because you deserve more than that," he said, looking you in the eye. "(Y/F/N), you are not the kind of girl that should end up with 'good enough'. You're too . . . free for that. Although, maybe independent is a better word. You would wither with just 'good enough', and that's not something I'm willing to let happen."
"Aw, so you do care about me," you cooed, swinging yourself upright onto the bars. "And don't worry Kei, we both know that Tadashi and I will never let you settle with 'good enough' either."
"What about me?" Tadashi squawked, and you laughed.
"Come 'Dashi," you chided, "we all know that you won't end up with 'good enough' even if you try."
His cheeks went pink and you laughed again.
Kei, as much as he pretended otherwise, really loved seeing you and Tadashi laugh like this. It reminded him that there were people who didn't see just the bastard act that he threw up to protect himself.
He loved the way your dimple appeared when you gave Tadashi that real smile, not the smirk or the grin you gave people. He loved seeing Tadashi carefree and not hiding behind his hand when he laughed or smiled.
He loved being able to sit and watch the two of you interact, but know that he could pop into the conversation whenever.
"Kei, that look on your face is kind of creepy," you teased, sliding to the ground to ruffle his hair, a small way of telling him you didn't mean it. "What's it for?"
"Nothing," he muttered, hoping to the heavens that his ears weren't turning pink, though they probably were.
"Come on Tsukki," Tadashi said, giving him a look, "we've all been friends for years. We know you better than that."
"I'm just glad is all," he murmured.
"Glad for what?" you asked, wrapping your arms around his shoulders, leaning over them to look at his face.
"You. Tadashi. You know, my friends," he confessed.
Damn it! His ears were definitely pink.
But he didn't shove you off.
Most people assumed that Kei was a jerk all the time, and while that might have been true for anyone else, you and Tadashi were the exceptions to his rule.
You and Tadashi had been friends with him for almost your whole lives, and both of you had been there during the brother debacle.
You and Kei had lived in the same neighborhood for years, and had been a part of more than a few conversations that had been forced by social convention, and your mother had been good friends with his in high school, though they had lost touch after that.
You had noticed Tadashi being bullied in class and had stepped in, defending him and deciding that he was more worth your time than the other kids.
Which led you to Kei, when you found out that he had helped Tadashi on the playground, even if that had never been his original intention.
The three of you had become a trio of sorts in your later years, though your reputations weren't the most . . . innocent.
Kei had always had a sharp tongue and a quicker wit, and his irritation seemed to have no limits.
You were on level with him, though you were much harder to set off than he was.
Tadashi never really provoked, but he watched as the two of you eviscerated anyone that insulted him.
Kei was ruthless with people who made comments on you and/or Tadashi, never giving them a chance to get another word in, though they had often tried, simply making themselves seem more like idiots.
On the other hand, you tended to let people hang themselves with their own tongues, before using that quick wit and sharp tongue to gut them like the pigs that they were.
Tadashi had little confidence on his own, and he tended to be more affected by words than you or Kei, so most of the time he let you and Kei handle people, but every once in a while, he would be set off.
Nothing was scarier than Tadashi getting pissed. He was rarely ever confrontational, but when something set him off, it was terrifying. He got really quiet, and he never raised his voice. There was a quiet kind of fury that radiated from him when he got like that, and if you and Kei used your words to eviscerate, Tadashi used his to give someone hypothermia. He would make them get colder and colder before their brains tricked them into thinking they were too hot, and then ended them.
All three of you were terrifying in your own ways, but that didn't mean you were like that all the time.
Kei wasn't an asshole all the time, and he enjoyed receiving hugs and other types of physical affection, he was just shit at reciprocating it and letting others see that more 'vulnerable side of him', as he put it. He was better at fixing problems logically. He helped you and Tadashi study, or sometimes bought gifts to make you both feel better, little things that still made your days.
Tadashi was someone who might not be confrontational, but he was very good about getting you and Kei out of your heads when something did hit a chink in your respective armors. He knew that both you and Kei were more affected by what people said than most people were led to believe. He was also a very good listener.
You were the giver of physical affection when the boys needed it. Kei tended to need it more than Tadashi, since Tadashi had his moms who were more than willing to give hugs. Kei didn't like his mother thinking anything was wrong, and he didn't completely trust his brother anymore, so physical contact was kept to a minimum.
Tadashi was okay with giving Kei affection, but most of the time, when it came to Kei, you were the one he went to.
You had asked him once, why he always came to you.
"I sometimes think Tadashi puts me up on a pedestal," he had admitted. "He knows me, and he's my friend, but sometimes it feels like I can't disappoint him. I don't feel that way with you. Besides, your short enough that hugging you feels better. Plus, Tadashi is all bones."
"We're glad for you too Kei," you told him, leaning your chin on his shoulder.
Tadashi nodded, taking a seat beside Kei.
Kei's heart clenched, like it often did when he was reminded that he really did have great friends, and his ears got hotter.
"Alright, enough of the mushy stuff," he muttered, trying to wave you and Tadashi away.
"Come on Kei," you whined softly, gently bumping your head with his, "we all know that you have a heart! Don't be that way, it's just us."
Kei made a small noise, and you laughed, releasing him so that you could sit on his other side, peering up into his face with your adorable fucking doe eyes.
"You know you don't have to pretend with us," you murmured, leaning on his shoulder, taking his hand.
"Yeah, we've all been friends for long enough Tsukki," Tadashi agreed, leaning his head on Kei's other shoulder.
"I hate you both," he muttered, trying to hide his face in his hands.
"Nuh uh," you said, pulling away to pull his hands from his face, sounding like a child. "No hiding from us."
You took his hand again, and for a while, all three of you just sat there, enjoying each other's company.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"Tsukishima! You're girlfriend is here again," Suga said, gesturing to where you were walking through the doors of the gym, laughing with Yachi.
"Again, she's not my girlfriend," Kei muttered.
He remembered, suddenly, about the promise you had both made when you were middle school and boys were starting to notice girls and vice versa.
"Kei and (Y/F/N) would make such a cute couple when they're older," your mother had told his, smiling as you both chatted at a neighborhood barbeque, being two of the only children there that could hold an intelligent conversation.
At that point, you and Kei were more than acquaintances, but you weren't exactly friends yet either.
Neither mother had realized that you and Kei had overheard, and when Kei had glanced at you, your nose was wrinkled like it did when you were grossed out by something, your expression mirroring his.
"Promise me something Kei," you had said, turning your attention back to him. "Promise me that you won't ever fall in love with me."
"Why not? I mean, I won't, but I want a reason," he had said, arms crossed as he looked at you.
"Because we're friends," you had said, like it had been the simplest thing in the world. "And because if we ended up falling in love and dating that means Tadashi would feel left out all the time and I won't let that happen. So promise me."
"I promise not to fall in love with you if you promise not to fall in love with me," he had offered.
"Deal," you had told him, offering him your hand to shake on it.
"Ah, Kei, there you are!" you said, smiling at him. "There's another letter. Based on the amount of hearts on it, another confession."
"Keep it," he muttered, pushing your hand away when you went to hand him the letter.
"Kei, I don't want to carry around another one of your love letters," you said, wrinkling your nose. "These aren't for me, and they make me sick, so please, for the sake of our friendship, take the damn thing off my hands so I can wash them."
He sighed, a pained sound that had you laughing, and took the letter, slipping it into his bag, wondering if the girls at school would ever take a hint that he wasn't interested.
"Why is Tsukishima so popular with the girls?" Hinata wondered out loud. "His personality is so crappy."
"And I don't think I've ever heard him say a nice thing to anyone," Kageyama added.
"That's because you guys are irritating to Kei," you interrupted, turning to them, arms crossed and hip cocked out to the side. "Most of the time, he's helpful and respectful. You two just aren't the kind of people he would voluntarily hang out with."
"Rude," Hinata cried, then pouted, "but true."
"The only people Kei really rips into are people he doesn't like, doesn't respect, people who disrespect Tadashi or me, or people who betray his trust. You two are options one and two."
"He just seems like an unfeeling asshole, even after three years of knowing him."
"I think it's the opposite actually," you told them.
Kei could feel your eyes on the back of his head, either unaware that he could hear you or uncaring that he was listening.
"I think he feels all of it, at one hundred and twenty percent. He just acts like that to avoid getting hurt in most cases. In your case though, he really does just not like you. Or, more accurately, he doesn't like that you two are so clearly passionate about something when he gets scared of something hurting him if he cares too much. Like Tadashi told you once, Hinata, if Kei didn't at least like volleyball, he wouldn't be here. Just think about it," you told them.
"(Y/F/N)!" Tadashi called. "We're still studying at your place right?"
"Yeah, just like always," you assured him. "Kei, you still have the spare key, just let yourselves in."
He nodded, spinning the ball in his hands as he watched you walk away.
"Tsukishima, are you one hundred percent sure that she isn't your girlfriend?" Suga asked, eyebrows raised at him.
"Three hundred percent sure," Tsukishima grunted as he served the ball.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"Why do you never accept any of the confessions, Kei?" you asked, looking at him from over the top of your textbook.
Your head was hanging off the side of your bed and your socked feet were crossed at the ankles, resting on your wall.
Kei's neck hurt just looking at you, but he didn't say anything to you about moving.
"Because they aren't my type," Kei muttered, checking his notes before writing down an answer on his paper.
"What is your type?" you inquired, rolling onto your stomach, setting you book to the side. "Because I don't think I've ever seen you take an interest in a girl." You frowned, then added, "Romantic interest I mean."
Kei wondered what other interest you had thought he might get out of that, but he decided not to question it. Despite knowing you for years, and being as close to you as he was, you still managed to be somewhat of a mystery to him.
"Does it matter?" he asked.
"Yes, because I want to be able to set you up when you decide you're ready for a relationship!" you said. "Tadashi and I would make great wingmen. Well, wingman and wingwoman, but you know what I mean."
Kei actually turned to look at you at that one.
"You're serious," he muttered, noting the look on your face.
"Yes! Unless you don't think you're going to want a romantic relationship, which is completely okay too. I just want you to be happy is all."
"You know what makes me happy?" Kei asked, pausing to let you answer, but instead you stayed quiet, watching him with those damn doe eyes. "Getting my homework done and not having to deal with confessions from girls that don't know the first thing about me."
Kei heard your small chuckle, and as he went back to his homework, he found himself smiling.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Kei had always known that, objectively, you were very pretty (he had heard enough from his classmates over the years to have it verified), but sometimes you did something, and he would realize all over again.
Today you had laughed a little harder as he ripped into someone, and you had given him one of those dimpled smiles that he adored so much, and he had stood there blinking for a moment before he cooled his expression again.
Kei didn't really understand why he got so mad when someone flirted with you in the hallways, or when you came to cheer the team on during games.
He had always assumed that it was merely because you were such good friends, but then he had realized that no one else got that mad, they didn't feel the same painful burning in the pit of their stomachs at seeing you with another guy.
Asking Suga had done absolutely nothing, the setter had merely suggested that Kei was jealous, which was absolute bullshit, and he wasn't desperate enough to contact Bokuto or Kuroo yet, though he might be at the point of asking Akaashi.
He would know if he liked you the way that the older setter was implying. He would know if he was in love with you.
Right?
Kei could worry about that later, right now he was more interested in getting that guy's hand off your shoulder and away from your neck.
"(Y/F/N)," Kei called, striding over, back straight. "The game's about to start, we've got to go."
"Kei!" you chirped, smiling at him, moving to his side immediately, giving the guy that had been bugging you a sugar sweet (and utterly fake) smile over your shoulder. "See you around never, hopefully!"
Kei pressed his lips together to hide his smile, letting you wrap your hand around his.
"Was that guy bothering you?"
"A little, but you got there just in time," you told him, your hand tightening it's grip for a moment before you let him go. "Thanks for always having the most amazing timing Kei!"
"Yeah, whatever," he told you, bumping your shoulder with his.
"Seriously, what is it with the girls that hang around with us and wandering off?" Daichi asked when you walked into the gym with Kei.
"Sorry guys! I just wanted to buy a key chain," you said, holding it up, grinning. "It's not my fault that athletes can't take no for an answer! Sometimes I think your on-court determination bleeds over into everyday life."
There were some nods, and Kei watched as the guy that had been bothering you stepped onto the other side of the court.
He followed the guy's eyes to you, where you were laughing at something Kageyama said.
Did- Did that moron just lick his lips at you?
Kei felt that burning sensation in his stomach again.
Kei didn't realize that he had been glaring until he heard your voice right next to him.
"Anyway, good luck guys!" you told them, affectionately ruffling Tadashi's hair, hip-checking Kei on your way into the stands, flashing him that damned dimpled grin over your shoulder.
"Hey, Blondie!" the guy called. "You, Glasses! I'm talkin' to you!"
Kei turned to see the guy from earlier smirking at him.
"Dude, your girl is so hot!" he said.
Kei felt the entirety of Karasuno tense behind him as they realized what was going on.
"Yeah, she is," Kei agreed.
"Think you'd be willin' to share her with me? I promise I'd take good care of her."
"Oh shit," someone muttered, and Kei saw red for a moment before he got himself under control.
"Is your ass jealous about the amount of shit that just came out of your mouth?" Kei asked, putting his hand on his hip.
Using insults like that was never really his thing, but he was really pissed right now.
"Hey, Tsukki," Tadashi said quietly, "you might not want to-"
"What did you just say to me?" the guy asked.
"Hey, Kei!" you called from the stands, waving at him to catch his attention. "Leave the smack talk for when you actually win! Block his spike down his throat for me, alright?"
He nodded, giving you a grin that had you giving him one right back.
"God forbid if she was a guy and they were on the same team," Suga muttered, and the others nodded.
"Alright, time for the game to start," Daichi said.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Kei did as you asked: he blocked every single spike that the guy tried to send over the net, and Kei could already tell that the guy was pissed at the end of the first set.
He was spiking more and more aggressively, which was screwing up aim to the point where Kei didn't even really need to block.
"Go Karasuno!" you cheered, smiling at the team from the stands.
Kei, every time he felt his anger getting out of control, looked to you in the stands to calm down.
Finally, the scumbag was so out of control that he was switched out with another wing spiker.
From there, the game was easy.
By the end of it, Kei hadn't even needed to look for you in the stands. Not only had he memorized where you were, but no one else on that team pissed him off as much as that scumbag did.
As soon as the ball landed on the other side of the court, and it was called, you were running down from the stands, running for him.
"Kei! You were so great!" you cheered, wrapping your arms around his neck, jumping at him.
He wrapped his arms around your waist to keep the both of you from falling over, and he buried his face in your neck as he set you down.
"Oh my gosh, Kei that was so amazing! I think that's the best you've played all season! Seriously! Some of those blocked looked like they would've ripped my arms off, that was so cool!" you gushed, holding onto his forearms.
Kei nodded, giving Tadashi a look over your shoulder for a moment, letting him know that it was okay for him to go on ahead.
"Thanks for blocking the slime ball for me Kei!" you said, smiling up at him. "And what did he say to you that got you so pissed off? I haven't seen you that mad in forever!"
"It was nothing," he told you, "it was stupid."
"Are you sure?" you inquired, looking up at him.
"Yeah, I'm sure the team will tell you about it later."
"Alright, I just wanted to make sure that you were okay," you told him, "'cause you looked really pissed. I haven't seen you that pissed off since that one guy tried to make Tadashi cry."
"I don't like it when people make you uncomfortable like that," Kei said. "It really pisses me off."
"Is that why you kept looking at me during the game?" you asked, and Kei wondered if any other girl would've been so honest with him about something like this, or if it as just the fact that you had both spent so much time together growing up. "I noticed that you always looked at me whenever you had the chance."
Kei nodded, gesturing with his head towards the doors, so that he could catch up with the team and talk with you at the same time.
"Yeah, that was one of the reasons. It kept me focused on the scumbag's spikes, and it calmed me down enough so that I didn't punch him whenever we were across the net from each other."
"I kinda wish that you had, but I also know that it would've gotten you ejected from the game, which is not something I want to happen. Anyway, thanks Kei," you told him, smiling up at him.
"Yeah, always," he said, putting his hand on your head.
~~~~~~~~~~~~~~~~~~~~~~~~~~
It was when you were over at his house Sunday morning when he realized that he might need to call Kuroo and Bokuto.
You, Kei, and Tadashi had had a sleepover, but Tadashi had left early to spend some time with his moms, so Kei had woken up to you with a hand on his chest and his arm numb from where it was pillowing your head.
The three of you had been sitting on Kei's bed watching a movie, but Tadashi had tipped over sometime near the halfway marker, and Kei had fallen asleep not long after that, so he could only assume that you had fallen asleep sometime after Tadashi had left this morning.
Kei turned on his side slowly, not wanting to wake you up, wrapping an arm around your waist softly.
He toyed with your hair, twisting it in his fingers gently, brushing it behind your ear, threading his fingers through it.
He wasn't ready to get up for the day yet, so he laid there with you, wondering how it would be ten years in the future.
Would your hair be longer? Would you cut it shorter? Would you dye it? Would you have kids by then?
That last one had made him pause.
He had always known that short of you dying or some huge falling out, Kei was in no way going to be able to get rid of you or Tadashi, but he had never even considered dating you, let alone anything beyond that.
So why was he wondering what your kids would look like? Why was he wondering how many you would want, if any? Why was he questioning how many stray animals you might bring home after work?
He sounded like every lovesick fool that got his heart broken in those weird movies that Tadashi liked to watch.
Kei glanced down at your face, and he suddenly found himself unable to think of a reality where he didn't wake up like this for the rest of his life.
When had he stopped seeing you as his little sister, or the annoying female friend that all of his classmates admired? When had he started seeing you as someone he could fall in love with, if he hadn't already?
But even with this new revelation, he couldn't bring himself to pull away from you.
Kei loved it when you both bickered like you hated each other, and he loved when you were able to throw back any insulting thing he said to you. He loved being able to have real conversations with you, but he also liked just sitting quietly with you.
This though, this was by far his favorite thing, seeing all the stress gone from your body, seeing your face without any kind of mask on, he adore seeing the calm serenity that came with sleep.
"Mm, Kei?" you asked sleepily, glancing at him. "What time is it?"
"Still early," he murmured, tucking you into his chest again. "Go back to sleep."
"M'kay," you said, nuzzling in close.
Kei waited for a minute before he grabbed his phone and his glasses from the side table, texting Kuroo.
Normally, he would've talked to Tadashi, but Kei didn't want to drag him into anything until he knew for sure, just in case he was wrong.
Kei: I have a question for you
Kuroo: What's up Tsukki-poo?
Kei: First, don't call me that
Kei: Secondly, and this is completely hypothetical, but how do you know when you love someone?
Kuroo: Aww, is my little kouhai in love with someone? How cute!
Kei made a face, taking a deep breath and glancing at you quickly before he turned his attention back to his phone.
Kei: Just answer the question
Kuroo: We're talking hypothetically?
Kei: Yeah
Kuroo: Can't you use the internet for this stuff? Why ask me? Why not ask Freckles? Or the pretty setter on your team?
Kei: The internet would tell me I have cancer, not that I might be in love with someone
Kei: Secondly, as for the setter comment, I'm assuming you mean Suga
Kei: Thirdly, he would go tell Tadashi, and then the possible love interest, and I don't want to deal with any of those things
Kei: So, please, for the sake of my sanity, just answer the question
Kuroo: Alright, alright. Jeesh. Hypothetically, if you were in love with someone you might start noticing their presence more
Kuroo: It would feel almost like you have a compass where the needle points to them, and you can't turn it off. You notice the little things more than normal, and you know them. I mean, really know them. They feel almost like a part of you
Kuroo: Seeing them hurt hurts you. You constantly feel the need to make sure that they're okay. Even the little things that kind of annoy you are a huge part of what you love about them
Kuroo: You find yourself smiling at them, even when they're doing something completely mundane, and you could recognize their voice in a crowd. Suddenly, they went from just another person, to someone that you could find in a crowd, even if they blend in enough that they normally fade into the background
Kuroo: Hypothetically speaking, of course
Kei was surprised by how much his mentor was able to type out in such a short amount of time, but in the end, he was most surprised by how much it lined up with what you had told him earlier. The basics were the same, and Kei sighed, realizing what this meant for him.
Kei: How to I make it stop?
Kei: Hypothetically
Kuroo: When I figure that out, I'll let you know
Kei blinked at that, then sighed again.
Kei: Thanks, Kuroo-san.
Kuroo: Sure thing Skinny, let me know how it goes
Kuroo: Hypothetically, of course
Kei couldn't help but chuckle softly, and he set his phone aside, wondering whether this was going to change anything, and how long he had been in love with you.
He had always noticed the little things about you, it was just a part of him being perceptive, and he had grown up with you, so he automatically knew you better than 80 percent of the people you went to school with.
But he was more in tune with your presence than even Tadashi was. And he had always managed to pick your voice out in a crowd.
He glanced down at you, and suddenly, instead of being worried about if he was in love you, he was more worried about whether you loved him back or not.
Kei debated texting Tadashi, but he decided that it could wait, and he wanted to enjoy this time with you unhindered.
Kei knew that he was never going to say anything unless he was sure you felt the same way about him.
For one thing, you were nice enough that it was entirely possible that you would date him just because you were too nice to say no. For another thing, he wasn't the kind of guy to make a move if he thought it wouldn't lead to a win. Not to mention, that if you he did ask you out and you said no, that might make things awkward in the friend group, and Kei didn't want that to happen.
He had gone this long, right? What was a few more weeks?
But, of course, things didn't go the way that Kei wanted them to.
As the end of a semester approached, as well as the end of the year, projects piled on, as did speeches and tests.
Kei had always done well academically, and he wasn't as stressed as some of the other people he knew, like Hinata and Kageyama.
You seemed to be feeling the pressure too, even though Kei knew that you were going to be getting some of the higher grades in class, just like always.
You were freaking out more than usual, and Kei realized that he needed to do something if he didn't want you to overwork yourself.
He found you on the swings at the park by your house.
He had gone over to make sure that you had eaten something, but your mother had told him that you had gone out earlier, and that she didn't know where you were.
"Hey," he said, announcing his presence as he settled beside you.
"Hey Kei," you replied, staring at the ground in front of you like it held the key to the universe.
"Are you okay?"
"No," you admitted. "I'm so nervous and freaked out that I can't eat anything. I have that weird mineral deficiency so drinking water just makes me really dizzy and I almost passed out when I stood up at the end of the day and there's nothing I can do about it! Not to mention that, once again, I got stuck with the morons that aren't going to do anything to help me with the project so I'm stuck doing everything by myself. For some of my classes, that's okay, I can just tell the teacher that they didn't help, but for some of them they're going to give me that bullshit lecture about working together. I have no idea what to do my speech about for that one class, and I have so many back to back tests that I think I might forget everything!"
Kei let you ramble, watching the way your hands moved around, trying to communicate the stress and anger and nerves that you were experiencing all at once.
He watched the way yours eyes widened and squeezed shut to add extra emphasis. He watched the way you glanced over at him to make sure that he was still paying attention, to make sure that you weren't annoying him, the way you smiled a little bit whenever you noticed that he was watching you and that you weren't annoying him by talking.
Somehow, you started talking about the constant love letters that he was getting.
"I mean, I get that some girls feel the need to have a boyfriend," you said, rolling your eyes, "but I have bigger things to worry about than their attraction to you, you know? One girl gave me a letter the other day, and I was so tired that I didn't realize what it was, and I started to read it and I was caught between wanting to laugh, cry, and hurl all at the same time."
Kei perked up at that.
"It made me kinda sad too," you admitted, your voice quieting. "I mean, it must really suck for you, getting all these letters claiming that they love you when they don't even know that first thing about who you are. I mean, it was hilarious that she even thought that you were interested in getting a girlfriend, and it was sickening how many times she used the words 'hot', 'sexy', and 'unadulteratedly handsome' to describe you."
Kei knew he made a face at that, with the way you laughed, before you continued, your voice even quieter than it had been, "But it made me sad to think that you keep having to read these things. They claim that they love you, that they want to be with you, and they don't even know who you are. Not in a way that matters at least. I don't know, it was just kind of depressing I guess."
You glanced at him, turning to face him.
"I hope you don't mind, but I started throwing them away. I'm getting sick and tired of being their carrier pigeon, and I really hate thinking about you having to deal with them all the time. If they want to confess they can find another way to do it."
"I don't mind, at all," he assured you, and you smiled at him.
But then your smiled faded into something similar to a frown.
"Hey, Kei?"
"Yeah?"
"Do you remember that promise we made when we were kids?"
"How could I forget? You never shut up about it during middle school," he teased.
"I broke that promise," you whispered. "That was one of the reasons that those letters made me so upset. As someone who has loved you, really loved you, for longer than they've known about you, it made me sick to read some of the things they said. I know that that makes me sound like some kind of possessive bitch, but it's true."
Kei stared at you, wondering if he had just heard that right.
You were in love with him? And had been for more than three years?
Kei felt like the breath had been knocked out of him.
"What's with the face Kei?" you asked. "I thought you knew already."
Kei didn't think that his eyes could get any wider than they were at that moment.
"Y-You . . . I-I what?"
"Come on Kei, you had to have noticed by now," you said, looking more concerned by the second. "I mean, it's not like I act the same way around everyone else that I do around you."
Kei let his brain process the things that you were telling him before he managed to squeak out, "You mean, like a friend thing right?"
You bit your lip, checking his face for something, fiddling with your fingers in your lap.
"No, Kei," you said finally. "I mean like, I want to be your girlfriend kind of love."
You weren't looking at him now, and he was worried you were taking this the wrong way. He didn't want this to end in a misunderstanding so he sighed dramatically.
"So, you're telling me that I could have confessed months ago and avoided the entire overthinking part of my recent internal panic?" he asked, watching the way your brows furrowed with confusion, the way your head whipped up when you finally realized what he was saying to you.
"A-Are you saying that the feeling is mutual?" you asked, eyes wide as you both looked at each other.
"Yes, you dumbass," he teased, smiling softly at you. "I broke that promise too, so it's okay, since we both broke it."
Now you were the one staring at him in disbelief.
Then you were off your swing and pacing in front of them, waving your hands around like a madwoman.
"Holy shit, you love me back," you muttered, glancing at him out of the corner of your eye every few seconds, like you were worried he would disappear. "I-I don't know what to do from here. I never thought that I would get this far. Is . . . is this where we talk about whether we want this to be a serious thing?" you asked. "Is this where we agree that we love each other but we pretend like nothing's changed? What am I supposed to do in this situation?"
"For one thing," Kei said, standing so that he could wrap his hands around your wrists, gently making you look at him. "You could calm down and let me get a word or two in before you make yourself black out."
You nodded, taking a deep breath.
"For another," he continued, "you and I should go back to your house. Your mom is worried sick about you, and you need to eat something before you pass out. We can have a serious talk about what this means once you aren't in danger of passing out from exhaustion or malnutrition."
"Okay, but only because I know that you're going to make me do it anyway," you told him, making him laugh.
You both walked in silence for a while before you asked, "When did you realize?"
"A few months ago," he admitted. "I think I've always known, but that guy- the slimeball that I blocked- got on my nerves enough that I knew it wasn't some platonic 'protect a friend' thing. I started seeing it more and more after that. I talked to Kuroo-san about it when I was nearly 100 percent sure, and that solidified it for me I guess, that night you and Tadashi stayed over and we watched that horrid slasher film. I woke up and you were right there by my side, and suddenly I couldn't imagine waking up any other way."
"That really was a horrible movie," you muttered. "I didn't think you were going to be the cheesy one today, but then again, you are always surprising me. And you didn't think to tell me?"
"I was worried it would make things awkward, and I didn't want to say something and be wrong, you know? Besides, you can't say anything. How long have you known?"
"Do you remember the summer before our third year in middle school and we all stayed at my grandparents' camp for three weeks?"
"That long? We were- what?- twelve?"
"Yeah. I remember that there was a thunderstorm the first night we were there, and I got up in the middle of the night because I couldn't sleep, so I stood on the deck, in a tank top and shorts because I wanted to. I don't even remember how long I had been out there when you wandered out. I remember calling you a dumbass because 'What if I was a murderer?' and you just called me short.
"We both stood there for a few minutes, and when I shivered, you wrapped your arms around my waist from behind me, pressing your chest to my back and calling me an idiot for wearing something so light in the middle of a thunderstorm. Instead of doing the sensible thing and getting a blanket or a jacket, you just hugged me and stood there with me until I couldn't stand it and we went inside."
Kei remembered that. He had seen you standing out on the deck when the lightning had flashed, and he had been worried when you weren't in your room, so he had gone out to check on you.
You had looked so happy, standing there in the rain, listening to the thunder crash in the distance.
He had wanted to stay with you, so he had.
It was one of the first times he had decided that he didn't care what it looked like, he cared for you, and he was going to show it somehow.
Kei slipped his hand into yours, interlacing your fingers together.
You glanced at him, but you didn't say anything, just squeezed his hand and walked with him.
When you both got back to your house, you grabbed a plate of food and plopped down at your desk in your room.
Kei lounged on your bed while you ate, watching you flip through a textbook and scribble notes in between bites of food.
When you pushed the plate to the side, your turned to face him.
"So."
"So."
You both locked eyes and chuckled.
"I already told you what I wanted out of this," you told him, shrugging. "I'm fine with whatever we decide, but that's my best case scenario ending for this."
"You make this sound like a business meeting," he teased, watching you stand up to move next to him on your bed.
"What do you want from this, Kei?" you asked, glancing down at your lap.
"I want you to be my girlfriend," he admitted. "I want to glare at guys that think they even have a chance with you. I want to kiss you for good luck before a game, all that sappy shit that everyone says that I wouldn't be into."
You smiled, laughing a little breathlessly for a moment before you comprehended everything he said.
"All of it?" you asked, turning those damned doe eyes on him again.
"All of it," he confirmed.
You chuckled softly, taking his hand again.
"Good. Me too."
"Good," he replied, pressing a quick kiss to your temple.
You giggled, something that made Kei stop for a moment, because you weren't the type of girl to giggle, at anything.
He smiled softly at you, and he wondered how much shit he was going to get from his team with you around, but he realized that it wasn't anything he needed to worry about yet.
Then he remembered something else.
"Hey, do you want to cause a little chaos?" Kei asked you.
"How so?"
"Remember how I said I talked to Kuroo-san?"
"Yeah?"
"Well, he wanted me to let him know how it went," Kei admitted. "I have him, Bokuto, Akaashi, Lev, and Hinata in a discord group chat. I want to try something, if you're okay with it."
"What do you have in mind?" you asked, arching an eyebrow, a smirk on your lips that said you were up for almost anything.
Skinny: img.jpg
Skinny: Thanks Kuroo-san
five people are typing...
Kei laughed, leaning over to show you the chaos that had ensued when he had sent the group chat the photo of you kissing his cheek.
You giggled at the many exclamation points and question marks, snickering at Kuroo's reply.
"I love you," you told him, kissing his cheek again.
"I love you too," he said, ignoring the calls that were coming through on his phone as he leaned over to cup your face in his hands.
#kei x reader#tsukishima x reader#kei tsukishima x reader#tsukishima kei x reader#haikyuu x reader#love#requited love#unrequited love#mutual pining#friends to lovers#this wasn't supposed to be this long#holy fuck#i'm actually really proud of this?#tsukishima#kei#tsukishima kei#kei tsukishima#kuroo tetsuro#tadashi yamaguchi#haikyuu!!#hq#hq fluff#hq x reader#haikyuu!! x reader
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I know I've brought this up before, but how much of the fandom reception of the prequels do you think stemmed from the genre dissonance? That the prequels, genre-wise, are closer to high fantasy, while the OT is more an adventure/space western/underdog triumph story.
The prequels also have elements more reminiscent of a romantic period/court drama/Shakespearean tragedy, while if you consider the underdog angle of the OT, the OT also seems kinda similar to some of those inspirational movies about sports teams or something, or a shonen anime with the "Power of Friendship".
I'm just saying, these are rather disparate genres that tend to attract different demographics of people.
And not many people tend to be... great about understanding why they don't like something, much less putting it into words, or understanding that they can dislike something without that something being actually bad. (For example, instead of "I just don't really like [thing]," the usual statement is something along the lines of "[thing] absolutely sucks.")
So the usual response is trying to find (and gather) solidarity while putting down or being condescending towards any dissent, and trying to justify their own dislike. (*gestures vaguely towards pineapple on pizza*)
And historically, it's not uncommon for people to... react strongly towards things they find... different or abnormal, which they judge based on themselves, their emotional response to something, and what they're used to.
Looking at kids, this behavior is... fairly normal. "You're weird," "ew, why do you like that, that's gross," "that's stupid," and so on. A lot of kids/teens/young adults also get defensive really easily. And let's face it--adults are basically just older, taller kids who've had to deal with more of life.
(To be honest, I also get defensive really easily. A lot of people do, and it's... it's normal. The defensive reaction can be lashing out, denial, or just being passive-aggressive or staying silent and tuning it out or mentally rolling your eyes at it. But I'm trying to work on it, because just because it's normal doesn't mean it's a good reaction.)
So, what I'm wondering is whether some fans dislike the prequels simply because it's a different genre...
...but instead of realizing that, they try to defend and justify their dislike by pointing fingers and criticizing whatever stood out or looked different from the OT or cherry-picking details/taking things out of context or making negative conflations (that can be refuted).
Because it's not about logic, it's about how they feel. And people want to feel justified and validated, and we want to feel like we're right and we enjoy staying in our comfort zones. So... yeah. ÂŻ\_(ă)_/ÂŻ
LOL, okay, this response is going to be really disjointed because I went off in like a dozen different tangents and even then it's not enough to cover everything, so just kind of read this in a Scattered Thoughts Nerd kind of tone, where I'm staring off into the distance because Navel Gazing Gets Me Going Sometimes. đ In my experience, it's sort of a mix. I don't hang around a lot of people who dislike the prequels (in the sense of dismissing them/not being fannish about them) because, well, that's the heart of my interest in Star Wars, so our areas of interest basically don't really overlap that much, so I don't have a chance to talk to a lot of people and find out their reasons or even how they dislike the prequels, in the bigger trends of fandom. I do think there's an element of what you're talking about, that sometimes people can't just dislike things because it's not their genre of choice, that's absolutely a part of it. Mostly because that's how a lot of people react to anything they don't like (and it's something I and literally everyone else has to work on), there has to be a reason for it that it's objectively bad and, like, I have experienced a lot of people getting mad because I like something in a different way than they do. And I don't mean just in Star Wars fandom, but in almost any given fandom--if someone likes something in a way someone else doesn't, if they talk loudly about it (even within their own space), then there's always a contingent of people who have to find a reason why that person is objectively wrong (or even try to make them morally wrong), rather than just shrugging and going, "We see things differently, my view on things doesn't overwrite theirs and their view on things doesn't overwrite mine." It gets more complicated in instances where fandom attitudes genuinely can be hurtful, especially when they're overlapping into the way real people are treated, likes/dislikes don't 100% exist in a bubble, especially when it comes to queer fans, fans of color, disabled fans, mentally ill fans, etc. But that there are a lot of instances where fandom culture has always been--and is increasingly so--contentious and it's hard to chill out when someone is always screaming at you, when the atmosphere of the fandom is always so intense. Further, there's also an element of how fandom has always been--and also is increasingly so--about personal resonance, personal emotional investment, interpretation, and meaning. That sometimes we identify with something so deeply that we feel attacked when someone else likes or dislikes something we feel so strongly about, something that we feel is a reflection of ourselves, and I see a lot of that as well. And this, too, often crosses over into lines of how the context of how we treat characters can be reflections of how we treat real world people, but that there's no monolith here as well. For example: I make fun of Anakin, this angers some people, because how dare I not take this fictional victim 100% seriously, despite that I have repeatedly said that Anakin is the character I most identify with, that things I make fun of him for are ones that I resonate with personally. I'm not disrespecting mentally ill people, especially considering that Anakin is not bound to a single interpretation on this front--he is not canonically mentally ill, no matter how easy it is for us in fandom to map much of that onto his character or, in my case, feel that so much of what I see in him are things I struggle with myself. By and large, the majority of the people I see (at least on tumblr) who make fun of Anakin are doing so within the same vein, that they're being silly about him on things that they personally relate to. (My experiences on this are not universal, I cannot speak for the whole of even any one part of fandom, only my own sphere of experience, but this is what I've seen.) As always, it's fine if someone doesn't vibe with my style or they find that it's not their thing because they do take him more seriously, but that preference does not make my jokes
suddenly not have the context that I relate a lot to what I see in Anakin. In contrast, the way some of the fandom treats Mace or Finn isn't just personal all the time. Not liking their characters isn't inherently racist, but the way they're consistently, consistently treated sure as hell speaks to a larger pattern of racism in fandom and doesn't come without that context. It's the same with Rey--is there a huge vein of misogyny when it comes to her character? Abso-fucking-lutely there is. Things Luke and Anakin get a pass on, Rey is raked over the coals for. Is everyone who dislikes Rey a misogynist? Not even close. Some don't like her because Finn was used as a prop for her story. Some people don't like her because she got sucked into Kylo Ren's story too much. Some just don't care for the way she was written for other reasons. Some just don't vibe with her. It's fine. Nothing is a monolith. And to circle this back around to what you're talking about--it's hard to judge, both because no part of fandom is a monolith in their reactions, but also because we're only hearing from a selection of the fans. How do you know how many people who aren't fans of the prequels, who just don't care for them because it's not their genre, but just go about their day? You don't hear from a lot of them because they moved on to things they do like, so it seems like they must not exist--except, they do, and they're just out there doing things they like more. We only hear from the people who feel the need to tell others they dislike the prequels for this reason or that reason, some valid, some less valid, etc. Ultimately, I do think there's probably a fair amount of genre dissonance for why people dislike the prequels and channel that into "they're objectively bad" and get defensive when people like them and say they were great, but only because that's true of anything anywhere. But that it's only one small slice of the bigger picture (and there's a lot of stuff that I had to eschew in the writing of this response as well because it can be a pretty sprawling topic), where there are tons of reasons and reactions that people have, as well as they're perfectly free to dislike the prequels for whatever reason they do or don't have, it doesn't really affect my opinions, unless they're trying to shove it in my face or are being a dick to those who disagree with them.
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What do you think of this whole "ppl shipping SessRin are basically supporting paedophiliaâ on tumblr? I've seen lots of japapense fans on twitter and they're all basically happy for the huge possibility of having Rin as Sesshomaru's wife and the mother of Towa and Setsuna, and then I go to tumblr and see all these SessRin bashing, saying that their bond should have kept platonic, the "real" sesshomaru will not behave romantically with Rin, etc. Idk what to think? :/ What are your thoughts?
oh goody, this is going to be a long one.
itâs so ridiculous đ Iâve seen this âpaedophiliaâ argument so many times and itâs triggering how they misuse this term so much. Especially as a law student (pet peeve: people misusing technical terms and making very serious (false) accusations).
Paedophilia tends to be the umbrella term for everything with a big age gap or when one party of the couple knew the other party as a child, which shows how uneducated they are with their try hard activism. Paedophilia is a psychiatric disorder, when an adult is primary or exclusively sexually attracted to prepubescent children.
No one in their right mind ships Sesshomaru with Rin while she was still a kid, Iâve yet to see someone who actively ships them in a romantic setting with her still being a kid. All the shippers Iâve come across and fanworks made, are her being a young adult or adult.
The other term theyâre throwing around is âgroomingâ, while thinking it means he groomed her into his wife, which is also false and a misuse of the term. Grooming happens, when an adult is befriending and establishing an emotional connection with a child in order to lower the childâs inhibitions with the object of sexual abuse. Sessh didnât approach her with any sexual intentions in mind, he tolerated her following him out of pity, which turned into being her protector after a while. As I see it, Jaken was more of a father figure for her than Sessh was. He ignored her most of the times, just watching over her and made sure she was safe (i mean, like a dog...a guard dog). And he certainly didnât âgroomâ her into being his wife, that dude did not show any signs of romantic interest while she was a child. Heck, he was pretty stoic most of the times.
The fact, that people who saw Sessh as a father figure for Rin exist, is actually our strongest argument against their paedophilia accusation. They wouldnât have been able to perceive their relationship as such in the first place, if there were ANY romantic advances or signs while she was a child. Wanna see and read about a real pedophile story/relationship? Go read Lolita by Vladimir Nobakov, itâs disturbing.
Another form of grooming happens, when someone is manipulated until theyâre isolated, dependent and more vulnerable to exploitation (can also happen with adults). Though it was only a filler episode, in episode 162 (Forever with Lord Sesshomaru), Sessh even gave her the free choice to either stay with humans or follow him (with his trademark line âdo as you pleaseâ). In the Manga she was staying with Kaede in the end. And she was friends with Kohaku. She mostly fended for herself (with Jaken), foraging for food in the wild or secretly on farms. Rin was certainly not isolated or dependent. Iâm not even digging into the exploitation point, because there is nothing to say.
I admit, they way SessRin developed is not completely unproblematic and the biggest factor is, that he met her while she was still a child. I can agree with that, but most SessRin shippers do not ship them because he knew her as a child, but because she was the first one who he cared for. If you break it down, itâs pretty much the cold-emotionless-bad boy-falls-for-a-girl-after-being-shown-kindness-for-the-first-time trope. SessRin shippers wouldâve also shipped them if Rin was the same age as Kagome the first time theyâve met. Rin being a child when they met is not the base of this ship, itâs their relationship and how she broke through Sesshâs walls and that she was the first (human) being he ever cared for. She was also the reason Sessh slowly began to accept Tenseiga as his sword.
People who are saying Sessh went out of character and shouldâve stayed on platonic terms with Rin, clearly have no idea about storytelling and character development. Sessh is a dog demon. Inuyasha is a dog demon. Inu no Taisho was a dog demon. Rin is a human, Kikyo was a human, Kagome is a human, Izayoi was a human. Basically, dogs love humans and create very strong bonds with them. Even staying loyal when their owner mistreats or abuses them. The whole series builds up on this dog-human dynamic. Basically every romantic interest involving a dog demon ended up being a dog-human pair. Whatâs not clicking?
I also find it quite funny, how some of those people can also ship Kagome and Inuyasha while preaching their (false) paedophilia speech in the same sentence. Kagome was 15 when she met 200 year old Inuyasha. 15. Thatâs a teenager. Iâm 26 and when I see 15 year olds, they look like toddlers to me. I donât see anyone advocating for Kagomeâs minor rights. The whole world flipped when Drake was dating a 18 year old but the fandom is still pretty silent about the fact, that Kagome was also 18 when she was married to 203 y/o Inuyasha in the epilogue. InuKag and SessKag shippers donât get the same criticism as SessRin shippers, even though Kagome is also still a minor and thatâs where you see the hypocrisy.
They can ship her because her design looks older and itâs easier to forget that sheâs 15/18. Usagi from Sailor Moon was 14 when she met and began a romantic relationship with Mamoru, who was 17. Even though both are considered minors, 14 is a lot different than 17 but nobody bat an eye for that either. Probably itâs because Usagi doesnât look like a 14 year old. Kagome doesnât look like a 15 year old. But Rin looks her age, she looks like an 8 year old when they first met, evoking a different perception in people of being a minor, the age gap and her vulnerability. Thatâs the only reason I can think of, why people are fine with InuKag, SessKag, KogaKag and whatever, even though itâs essentially almost the same setting as with SessRin. Rin is a minor, Kagome is a minor, they both are protected by their stronger and much older demon travel partners. And its hypocritical to try and argue a difference because grooming and abuse of an 8 year old is such as horrific as of an 15 year old. If one of them is a victim, then both are.
Iâm not trying to shit on InuKag or other Kagome ships btw., I love Kagome and InuKag, Iâm just trying to show the hypocrisy in their fake activism, because itâs not based on facts and information but rather on subjective feelings and perception. Itâs fine and legitimate to not like SessRin because of said reasons, but it is wrong to judge others for shipping it and accuse them of supporting paedophilia. People who are triggered by SessRin, should stay away from it but leave those alone, who enjoy it.
Oh and before someone runs their mouth at me and use personal history as an argument, Iâve been a victim of paedophilia and grooming myself. I was touched and molested by my private tutor for years between 5th and 7th grade. But Iâve overcome my trauma, educated myself and Iâm able to tell fiction from reality. Nobody watches Inuyasha for relationship and dating advice. Misusing terms is actually harming the ones involved and projecting one ownâs traumas and struggles onto others, by shaming them for shipping something is not helping anyone and doesnât make a difference at all.
Lastly, no SessRin shipper is condoning real life child/adult relationships. We are able to ship them because fictional stories are less dimensional than real life situations are. Fictional relationships have less nuances, cherry picked dynamics and moments that make us perceive them in a specific way. It is man made. What seems romantic in a fictional story (even between two adults) may be littered with red flags or less exciting and boring in a real life setting. People consume fiction mainly for entertainment, not for real life and dating advice.
Remember, this is just a fictional story, just chill the f out.
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Hello love,
Congratulations for the 800 followers! You absolutely deserve this and so much more! I'm happy to see how your blog grows and that you're still providing all of us with wonderful content. You're one of the first blogs that I've started to follow here on Tumblr and I'm so lucky to have found your blog âĄ
As for your celebration event, could I please request a đš vanilla milkshake with a male Peaky Blinders Character?
I'm more on the curvy side (and insecure about it) and I'm ALWAYS wearing black (which I love, no matter what others say or even more if they object). As for my personality, I'm a highly complex, paradox and complicated individium. I'm unbelievable patient, timid, awkward, kind, forgiving, open-minded, compassionate, thruthful, gentle and calm and I've been told that I have a calming effect on others, that I can easily ground anyone and anything, no matter how troubled their mind is. I prefer vintage over modern things. I think rather deep which often leads me to overthinking everything, which in turn leads me to doubting (very much) myself. You would be surprised how timid and reserved I am, I'm sure you wouln't notice me in a room full of people if it wouldn't be for my different appearance (but I like it this way). I'm always well-meaning, yet often misunderstood (maybe because it's hard for me to articulate myself). I can be incredible lazy, clumsy and forgetful. I've always felt like I don't really belong anywhere, so I've started to distance myself from others a while ago. I'm a outsider, weird, a dork, not normal, a loner and I fucking love it, because I like to be different, I would hate to fit into just one box and to be like everyone else. And I like people who are not ashamed to be their 100% true self, no matter how different that is from the mainstream. I'm the most loyal person you'll ever find, once you earn my trust, I'll always be on/by your side, no matter what. That says a lot, because I'm hard to scare away. Sometimes I feel alienated from the people and things surrounding me and I'm sure that I annoy and bore them. I'm very nervous and insecure around others, which is why I try to avoid people and why I'm not talking all that much around them (though, I'm a really good listener). I'm easily overwhelmed by large crowds and much light/noise, that's why I don't like to go outside, I prefer to cozy up at home. I would never intentionally hurt a animal and I'm not eating any meat, which is very important to me. I believe that there isn't a ounce of cruelty inside me. I'm unassuming and understanding, I only believe what I've witnessed on my own and I have endless acceptance for almost everything. Due to my Insomnia, I'm a night owl. I have strong personal values, am very opinionated and I'm really in-touch with myself and even though I'm extremly insecure, I would never reduce or change myself and views/opinions for someone and I neither have a problem to challenge authority and advocating for my beliefs. I'm a perfectionist and sometimes I really hate it. And, as you can see, I'm unable to be brief. My favourite colours are dark green, black, gold and dark purple. My greatest passion is music, even if I can't sing or play an instrument.(I prefer rock/punk/pop/80s/90s) It's the most calming and therapeutic thing when it comes to my anxiety and depression and I could never live a day without it. You will never see me in the street without headphones in my ears and even when I'm at home there's music playing almost all the time. I could talk for hours about music and what it means to me. And otherwise I love to watch films and series (I like fantasy, horror, psychological thriller, science fiction and psychological drama and almost anything from the 70s, 80s and 90s). I love rainy days and to go outside while it's pouring big, fat drops. What I love the most is to drive around without a destination, while talking and listening to music. And I love to spend time with my cat, if I could, I would have endless animals who live peacefully and loved with me. I enjoy to have deep talks and to be challenged to think. I love to take late-night-strolls, while gazing into the sky and watching the stars/moon. I have a fascination for dark and macabre things.
I really hope that's not too much? But thank you anyway âĄ
Have a good day!
thank you so much for your kind words, you have no idea how much it means to me to know that I was one of the first blogs you followed ;; hereâs your vanilla milkshake - and itâs also my first time writing for peaky blinders, but I hope itâs alright; and I hope finn shelby will find the portrait I paint of him accurate enough...
Birmingham was a drab and disheartening place enough without the war adding to its joylessness; but somehow the streets are even worse to bear deserted than when theyâre bustling and fetid. Especially for a ten year old boy who wants nothing but to play with someone, to talk to someone, to see someone.
With his brothers off fighting somewhere in France and his aunt too busy with her businesses (adult stuff that Finn has absolutey no interest in attempting to understand), the youngest Shelby has been fighting off an affliction worse than consumption and measles, because much more insidious for a boy his age; boredom
and heâs so sad, so irrevocably sad, with no one to bruise his knees with and throw mud at, that he just aimlessly wanders the empty streets whenever aunt Polly isnât looking, to find a semblance of stimulation
(he used to enjoy the solitude, it gave him time to imagine delirious stories in fantastical worlds and read the most enthralling of novels, but not anymore. four years of reclusion is an awfully long time for a little boy.)
and itâs during one of his escapades that he first meets you
youâre a little girl his age, dressed in a pretty dress, wearing pretty booties and holding a pretty little woven basket, but your face is stuck on the most grouchy frown heâs ever seen on a little girl, and you donât walk, you stomp down the wet pavement like a wrathful titan
And itâs probably the first time in four years that heâs been this close to making a new friend, so he walks up to you, despite how rusty his communication skills have become
âGirls donât frown. Itâs unbecoming.â
(Yes, pretty rusty indeed; but in his defense, heâs ten, heâs bored, heâs lonely, and heâs only ever heard Ada say it, and Ada is the most level-headed of his siblings, so anything she says must be true, right?)
âShut up.â
(Well, if it was unbecoming of you to frown, itâs even more to rebuff someone so rudely. You donât even spare a glance and continue walking; he has to hurry to catch up to you.)
âYou canât say that. Itâs a bad word.â
âHow do you know that?â
âMy family says it all the time, but they told me I canât say it.â
âWell, my family is not your family. And I hate my family!â
Youâve yelled the last words at the sky, so loud that the crows on the neighboring roofs have taken off in a startled flight.
âThey want to wear this stupid dress to go to the stupid market to buy stupid meat. I donât even want to eat meat, thatâs cruel! And I donât even want to wear a frilly dress! I want to wear black!â
And in saying so you tugged at the pink and white ribbons that encircled your waist.
And Finn couldnât help being extremely intrigued at this little girl who said bad words and refused to eat meet and wanted to wear black. It was the most exciting thing to ever happen in all the duration of the war.
âYou want to wear a black dress?â
âYes, but my mama wonât let me. She says itâs too sad because of the war. But black isnât sad! Black is beautiful!â
âMaybe I could find you a black dress. Iâm sure my sister must have one. Where do you live?â
And, loyal to his promise, the following morning he had run to your doorstep and snuck into your house - a proper Shelby talent, to be able to go unnoticed or make a ruckus depending on the occasion - with an old, crinkled mourning dress of Adaâs, that had probably belonged to his mother and had been mended several times
And it was obviously five sizes too big for you and you looked more like a ghost from one of Finnâs horror novels, your arms floating in the sleeves and the hem of the skirt pooling at your feet, but your smile was the brightest light heâd ever seen in this whole damn town.
âDo you like it?â
(He didnât really know why he sounds so nervous. Maybe it was having a friend, a real friend, and doing something personal for them... or maybe it had to do with how fast his heart beat, watching you in that gigantic, shapeless dress)
âI love it! Thank you so much, Finn!â
From then on started one of the most wonderful friendships Finn would ever have, and what would bring a ray of light to the grim existence of a little boy in the midst of a global war
Despite the ration cards, despite the loneliness, despite the worry that tugged at his stoic auntâs eyes for her son and nephews across the Channel... he found an unspeakable solace in your friendship
And one day, without a trace, you were gone
He knocked on your door; gone. He asked all the neighbors what had happened to the family that lived there; gone. He wrote you letters and sent them to the confines of England; gone. He got scolded by Polly for marking numbers at random on Tommyâs state-of-the-art telephone; gone.
Suddenly he was back to the bleak existence he had battled with before meeting you, and the hollow inside his chest only grew wider as the days went on, because he had no explanation as to what had happened to you, and worried every single day
Thankfully, the war ended not long after, and his brothers came back home, all alive and unscathed - well, for the most part
Fast forward more or less ten years, and much has changed in Finn Shelbyâs life and in old Birmingham, but the memory of you still stugs at his heartstrings
One evening, heâs tasked by Arthur to run some errands, send a few messages, scout a few places; the most dangerous thing his older brothers will ever let him do
His task leads him to a bar in the center of town, one that pours its joyous light and music into the street outside; heâs there to meet with a client, arrange a meeting; nothing heâs hasnât done already
But the evening takes a turn for the unexpected when he recognizes the girl sat alone at a table, enjoying the musiciansâ jazz with an air of pure bliss on her face
Itâs been ten years, of course, but... itâs unmistakable. That face, that silhouette, and the black ensemble from head to toe... and heâs always had a knack for remembering faces, especially those that mark him deeply
Suddenly heâs frozen on the spot, and he has forgotten why he came to the bar in the first place, what his target looks like - all he knows is you, and how beautiful you look in the dim light of the bar, and the undisclosed and unknown feelings he had for you at the time come flooding back.
Except this time, he understands, and he fears them, because he doesnât have time for any of this, and itâs way too dangerous for you and him
But he canât just pass you by and not say a word?
He swallows, hard.
And walks up to you.
âY/N?â
You open your eyes, and your face flashes with recognition, and a little bit of pain as well. Even if you fled without a word, and left him hanging all these years, heâs incapable of rancor
âFinn... wow, youâve changed so much.â
âYou havenât.â
He gestures at your face, your clothes, how you savor the music like the finest drink in the world, and you laugh and blush, sending his heart into overdrive
âWhere were you all this time?â
âIâm so sorry, Finn... my brother died in the war, and... my mom sent me to live with my grandparents in Scotland. We were all destroyed by grief... I needed to get away.â
âWithout explanation? Not even a word?â
âI wanted to write to you, so bad, but... I couldnât remember your address. I couldnât remember anything about Birmingham at all...â
He nods, slowly, in understanding.
The war opens wounds that never heal, even after all the most beautiful friendships and love stories in the world.
âBut Iâm really glad I found you.â
His heart is pounding in his throat. Maybe itâs a sign of destiny that he found you here, tonight, alone, and ready to welcome him back. Maybe itâs a word from fate, that you can never truly be apart.
So he takes the seat in front of you, and you smile, that shy but bright smile of yours, and he forgets all about his mission, his client, and his brothers.
Theyâll have to understand.
800 follower sleepover
#lunamooney2406#sleepover800#ship request#peaky blinders#peaky blinders ship#finn shelby#finn shelby x reader#peaky blinders headcanons#finn shelby headcanons#for some reason the first thing I write for a new fandom is always SUPER LONG but that's because i get rlly in my feelings
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Robbie as Bullock
This post will probably differ from the others in structure and be a lot longer for one big reason
When choosing Miraculous for the Lazytown characters i really wanted to only use ones that we've already seen in use in Miraculous Ladybug and know how they work from there.
For Robbie i broke that rule. I don't really remember what first made me consider it but it probably had to do with the fact that i think the Ox Miraculous, just aesthetically, would fit Robbie perfectly!
So for this one i had to start from scratch completely, no reference for a canon hero design, no idea what power or weapon he'd get, no clue what the phrase to transform could be.
Of cause i used the most references for him but here are the ten i found most important
Obviously i don't expect any of my speculations to become even remotely canon once we find out what Stompp, the Ox Miraculous, actually does but i hope it at least makes sense for now.
I like how I've drawn all the others standing head on to face the camera and Robbie just leans there. That's because you have to think he doesn't care, the little Tsundere
Concept Overview:
In the Miraculous Ladybug episode we meet all the Kwamis, including Stompp, he is the most actively concerned about Nooroo so now that the Butterfly Kwami is back I'm sure Stompp would want to stay around him. With Sportacus partnering with Nooroo, teaming up Robbie and Stompp made the most sense to them.
Design Notes Incoherent Thoughts I had to justify what I'm Drawing:
Purple and Blue - it amused me no end that with the choices i made blue Sportacus got a purple Kwami and purple Robbie got a blue kwami. I did kinda dislike at first how little blue the costume has in comparison to purple but i decided i don't have to make a decision because apparently the canon show can't make up its mind about Stompp's colour either. The blue and purple can always be swapped if i decide i don't like it
Harness - Ox' are hard working animals, mostly used to pull heavy objects. For that purpose they get strapped into a harness. Obviously i had to include that in this design, the chain hanging from the collar around his neck has a similar purpose (it only occured to me way too late how kinky it looks please ignore that)
Cape? No cape? - because of the imbalance in colours i briefly considered giving him a cape like a Matador would have but only for a second or so. I wanted to keep Robbie's iconic body shape untouched by a bunky cape, also the few times he wore a cape in the show he really struggled with it and also i think it would've clashed with the tail
Tail - speaking of which, an ox' tail has that frizzy end to it but i really liked the chain as his tail so to emulate the thicker part at the end i hung a padlock there. And that really worked. Not only bc that's just how bulls and ox are kept in check with their strength but also because the oblong shape of a combination lock makes for a fitting shape and can be used in universe. You see, Robbie is not that good with just saying what he wants or expressing how he feels. This four letter combination lock is magic and kinda betrays and helps him at the same time. It spells out any given four letter word that fits his mood best at any given moment
Miraculous Nosering - if a Lazytown character would unironically get a nosering, it'd be Robbie. I'm sorry, i don't take criticism on that
Horns - he needed horns. He just did. Look how good he looks with horns! But for real, in Miraculous Ladybug Chat Noir gets actual cat ears so he can get actual horns, also like Chat he the white parts of his eyes turn yellow like Stompp's while keeping his signature grey iris
Hair - ox' are mostly shown with like bangs covering their eyes so i couldn't resist ruffling his usually so perfectly done hair up to make it fall a little like that
Weapon - my first thought of "Miraculous takes cliché traits for animals to base their powers on so i guess bullfighting is the way to go here" made me really sad. This "Sport" is so disgusting i wanted to cry and puke while reading about it. I'll spare you the details but in addition to the Matador in the arena there's other guys too to weaken the bull before the Matador kills it, one of them throws knives. Miraculous Ladybug likes combining weapons with toys so I'm giving him darts. They are fastened to the front of his harness and i think how they can be used is along the lines of, once he zhrows them with his super strength and they pin into something they can only be removed when he allows that, also like the ladybug's jojo they can fly how long and whatever direction he wants, and probably also is able to just manifest them back to himself if ever one gets lost
Miraculous Power - again, just pure speculation here, but the powers we so far know of are all loosely based on an exaggerated cartoon trope of each animal so for the ox that is hard working and persistent and for the bull that'd be aggression and tunnel vision. While typing this i get the urge to add blinders to his mask but i digress. So i made up an exaggerated power that'd fit both but when i told my test group (two people) one said "oh, kinda like Bloodhound from Apex Legends" and the ozher said "so like hunter's mark from DnD" i play neither so i don't know but maybe you do do that's the short version of the explanation xD his power is based on the cartoonish depiction of a bull seeing something that bothers him and then charging at it for as long as he can until he gets it. Once Robbie focuses on an enemy or someone running away or someone he is following for whatever reason he can use his power to keep track of them. No matter how far away they go or where they try to hide. It sounds OP as shit but think of the Snake and Bunny who can both time travel and then say that again. The catch is he needs to use it while that person is still in clear sight for him so i think it balances a little better
Name:
Do you know the difference between a Bull and an Ox? Well, let me mansplain it to you anyway
The reason i kept switching between drawing inspiration from bulls and ox' is because it's the same animal. Those are both names for an adult male cow. The only difference being that an ox is castrated and a bull is not. Stompp is the Ox Miraculous so tough nuts Robbie, literally. But making babies isn't really on his to do list anyway with Sportacus as his partner so who cares.
Anyway, I had the design done and like always i struggled a lot with naming it
But then i learned a Bullock is not only a cool word that seems to be a mix of bull and lock like his design is but it also is the official name of a male cow too young to be castrated yet! Isn't that just perfect? I think it is
Also I'll include in this section the phrases one needs to speak to have Stompp transform them into this Ox themed Superhero and for the power to activate. If you think of something more fitting for either please let me know!
Transformation:
simple version - horns up / horns down
More detailed - time to charge / time to loaf
(charging is when a bull starts running blindly at something; loafing is the professional farmer term for a resting cow)
Power: Target Charge, Locked On, or my personal favorite option Head-On. Again going with the more in depth terminology, that's what the running style of a bull is called when he's chatging at a target
Story:
Robbie lived in Lazytown but when the kids grew louder and older and he got more annoyed wih not having his peace and quiet he just up and left. He spent a lot of time traveling around, living wherever it was comfortable and leaving when it wasn't anymore. Thanks to being an inventor and overall talanted crafty person he got by pretty easily as there was always a company running on "hire a lazy person for an important job, they'll find the easiest solution for the most complicated problems" so he never really had to worry.
Whether by coincidence or fate Robbie and Sportacus run into each other and despite Robbie being a little difficult they both immediately feel strangely drawn to one another. With time going by they meet more often, at first more or less by chance but eventually they plan to meet up regularly. They might have very different ways of doing it but they share a common lifestyle: helping out others to live a comfortable and fulfilling life.
Only after Sportacus was chosen to be the new Guardian of the Miracle Box he finally asks Robbie to join him, full time by his side traveling in his airship around the world wherever they may be needed. Of cause only for moral support and such, obviously. You see, they always enjoyed each others company and sort of over time eased into a relationship like coexistence but neither of them ever really acknowledged that. Only when Sportacus got Nooroo's power to sense other people's feelings that barrier of miscommunication fully fell. Robbie is incredibly bad with conveying his emotions but now Sportacus can sense that he has potentially the most powerful and purest emotions he ever encountered. Not only is each feeling of his powerful but when there is more than one at play they don't mix together and muddy each other but instead boost even more. He knew before that he wanted Robbie to join him but that discovery made it a necessity.
Despite not being able to actually say so Robbie is thrilled to come along. Only over time and with a lot of painfully slow conversations they manage to agree to make their relationship official.
Stompp, the sassy Ox Kwami, regularly bursts out of the Miracle Box to want to check on Nooroo and slowly he and Robbie bond over telling Sportacus and Nooroo to go easier on themselves and let a little responsibility get taken off their shoulders so eventually they team up and Bullock is created.
Thanks to Robbie's hard work to better himself with Sportacus' help, Stompp's magic transformation provides him with a tail that conveys his feelings for him.
When they hear that Lazytown has been wiped clean of grown-ups Sportacus immediately flies them over there so Robbie can check on his hometown. Finding only a few children, now teens, left there Robbie recognizes them and the two form the plan to give them Miraculous' too so they can help to find their lost family, friends and neighbors and fight together to bring them back.
Wow that was so much to read and you did it! I'm so impressed and thankful! You deserve a pat on the back (if you want one) and a cookie and/or sportscandy on your way out
#Lazytown#miraculous ladybug#Lazytown au#Miraculous Lazybug#revive the lazy#Robbie Rotten#sportarobbie#mentioned#Stompp
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